Thursday, October 15, 2009

JAGDISH PRABHU


In addition to being a highly respected SVP Group Creative Director at McCann Erickson, Jagdish Prabhu is also an amazingly talented fine artist.

With no formal education in art, Jag, who always loved to draw, began taking his fine art seriously only a decade ago. Rising early every morning, he now indulges his passion by working in the backyard studio of his Connecticut home, before transporting his two young daughters to school and commuting into the city for his “day job”.

With his very first show now under his belt (Lana Santorelli Gallery) and several more highly anticipated showings scheduled for the near future, Jag is confident in his fine art career. ”I don’t look at art books, I don’t go to museums anymore. I know what I have to do and if I fail, it’s ok, because it’s mine.” Drawing early inspiration from the likes of Andrew Wyeth and Francis Bacon, Jag has come to master an artistic style that is uniquely his own.

Behind all of Jag’s work is his desire to portray the human as an organism, with no race, culture, skin tone, etc.. ”If there is to be a centrality to all of my work, then it is dealing with the human image. An image that strips away all the divisive inessentials of culture, race, provenance…and deals with the primal elements of human existence…. getting under the skin as it were.”

Recent explorations have lead him to the medium of carbon on paper. Simply put, Jagdish “paints” with smoke. This process, improved upon by significant trial and error, occurs by holding paper above an open flame. Although he may start with an image in mind (usually people) and attempt to re-create what he envisions, the carbon sometimes drives the work, becoming a completely organic process, creating one of a kind patterns.

The carbon series embodies Jag’s central concept in a very clear, simple and somewhat ironic way. Nothing in life can exist without carbon; it is the most basic element. He loves the irony of this - of life and death. We as a culture are abusing this element in a way that can ultimately lead to our demise.

Interestingly enough, when asked what drew him to this medium, Jag’s response was: “Frankly, I don’t know!” He started his explorations in art with very traditional mediums — from watercolor to ink to oil, and eventually to smoke–and, in the future to “who the hell knows after this!” Regardless of the medium, the subject remains the same: LIFE. His goal is to create something with a feeling of identification, where when you look in the mirror (the image), you see yourself. ”If my work has this power, I will have achieved something.” The simple design and aesthetic of the work is not enough, “humans, the messed up species that we are, are the perfect thing to show us ourselves.”

Arnaud Pyvka!






Arnaud is amazing, really, he is. This photographer, film maker and daddy recently joined the talented roster of photographers at Walter Schupfer Management. I meant to tell the world of him months ago...but I forgot. But luckily I was reminded of him today.

Thursday, June 11, 2009

"The Model as Muse: Embodying Fashion"


The Model as Muse: Embodying Fashion @ The MET thru August 2nd, 2009 (Click here for more information).

“The Model as Muse: Embodying Fashion” may sound like a purely fashion exhibit, but don’t be fooled, this show actually bridges photography, high fashion and the evolution of the supermodel throughout history, starting as early as the 1920s and ending with modern day advertising.  The exhibit takes you from decade to decade, highlighting the styles and tastemakers in both modeling and art, placing photography and fashion side by side.  

You walk by William Claxton’s iconic image of Peggy Moffitt in a Rudi Geunreich swimsuit from 1964 and then, directly next to it, you see the actual suit she was photographed in fit on a mannequin and encased like an ancient statue, a work of art in itself . The show allows you to truly see the models, photographers and designers  who have transcended the ages, as well as the birth and, some may say, the death of the “supermodel.”   

In the 1960’s-70’s the supermodel came to life and was thrust into the spotlight by photographers such as Gilles Bensimon and Peter Lindbergh. These photographers captured the likes of a young Linda Evangelista, Naomi Campbell and Claudia Schiffer, draped in the lead designers of the time, including Armani, Donna Karan and Ralph Lauren.  You drift through this exhibition, and evolution of fashion, into the age of Grunge and the “Anti Model.”  Picture Kate Moss and Alek Wek dressed in Anna Sui and photographed by the likes of Helmut Newton, Jurgen Teller, Steven Klein and Patrick Demarchelier.  

Each era not only highlights the fashion and photography of the time, but also the music.  As you flow from room to room the music transforms with the art.  And, fittingly, the show ends with Advertising.  The ads are displayed in the pages of magazines where you see famous campaigns by Versace, Fendi, Helmut Lang and Louis Vuitton and each is accompanied by the designers’ original pieces.

photo

I highly recommend this “experience.”  And if you go, make sure to check out the movie “Qui Etes-Vous, Polly Maggoo (Who are you, Polly Maggoo)” which documents the life of a Vogue cover girl. Also be sure to peruse the gift shop who’s walls are plastered with model comp cards from most of the “IT” girls, including Gisele and Naomi Campbell (as if they need them!).

Enjoy the show!!